From Eadweard Muybridge’s equine motion photography experiments to lions and tigers and bears (oh my), to an internet made of cats, animals and media have always been inextricably linked. This course takes a multifaceted, interdisciplinary approach to the study of onscreen beasts. How have animals been used as characters, as actors, as metaphors? What arethe ethics of putting real animals onscreen? What do stories about animals tell us about ourselves? We consider fictional and nonfictional modes of storytelling, historical and contemporary works, real and computer- generated creatures in our global cinematic safari. Screenings may include Nope, Jaws, Princess Mononoke, Grizzly Man, and EO.

Prerequisites: Film studies 46 or upper-division standing, and consent of instructor.

4

Units

Optional

Grading

1, 2, 3

Passtime

None

Level Limit

Letters and science

College
T B A
No info found

Lecture

SSMS 2013
T
12:00 PM - 13:50 PM
18 / 18 Full
FAMST 184
30 / 30 Full
Film Music
John Hajda 3.3
T R
09:30 AM - 10:45 AM
61.1% A
FAMST 187FM
18 / 18 Full
The Future of Media
Jennifer Holt 4.1
M W
11:00 AM - 12:15 PM
84.4% A
FAMST 188B
16 / 18 Enrolled
Advanced Screenwriting
Janis Caldwell 4.5
T R
10:00 AM - 11:50 AM
74.4% A
FAMST 190AW
0 / 18 Closed
Studies in Film, Media and the Other Arts: Anti-War Media
Saghazadeh S
T R
15:00 PM - 16:50 PM
FAMST 192FT
119 / 150 Enrolled
Topics in Film and Media Theory
Peter Bloom 2.9
T
09:00 AM - 11:50 AM
46.4% A
FAMST 192FT
110 / 200 Enrolled
Topics in Film and Media Theory
Peter Bloom 2.9
T
09:00 AM - 11:50 AM
46.4% A