BELTZ E A

Eric Beltz

16 reviews
Gives good feedback Amazing lectures Inspirational Accessible outside class Tough grader Lots of homework Hilarious Respected
Past quarters
ART 18
0 / 18 Enrolled
Lower-Division Drawing
Eric Beltz 4.7
M W
10:00 AM - 14:10 PM
71.5% A
ART 117
0 / 18 Enrolled
Intermediate Drawing
Eric Beltz 4.7
T R
10:00 AM - 13:05 PM
81.4% A
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ART 18 Beltz E A Fall 2025 Total: 16
ART 117 Beltz E A Fall 2025 Total: 22
ART 18 Beltz E A Summer 2025 Total: 11
ART 117 Beltz E A Summer 2025 Total: 14
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ART18 . Beltz E A 17 Days Ago

He lectures and demonstrates concepts/methods clearly and replies quickly to emails(lectures posted online). Assignments are a huge time commitment(at least 5-6 hours a week outside class and ~15 hours for final project). Very helpful class in developing fundamentals. Was very nice and gave great feedback; clearly very experienced in his field.

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ART118 . Beltz E A 9 Months Ago

I've never quite grown as fast as an artist until I took classes with Eric Beltz. His classes do require effort, and he can tell if you don't spend enough time on a drawing. I've always enjoyed the assignments he's given us and his lectures are very creative, funny and inspirational. By far, my favorite art classes at UCSB.

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ART18 . Beltz E A 2 Years Ago

best

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ART117 . Beltz E A 3 Years Ago

I learned a lot and grew as an artist. It was A LOT of work, though! I often spent 20 hours on his homework assignments, which are weekly. I tried my very, very hardest but never got full credit on an assignment, needless to say he is a tough grader. HOWEVER, he is always helpful and willing and kind. He just takes his job seriously! I recommend.

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ARTST18 . Beltz E A 11 Years Ago

Eric is by far the best Art professor I have ever had. I learned so much and grew as an artist in his class. I plan to take all of his drawing classes. He is definitely a role model because he is brilliant at what he does.

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ART117 . Beltz E A 14 Years Ago

Absolutely, positively knows his stuff. Has a great sense of humor. Breaks down intimidating subjects into bite-sized, manageable chunks. Calls upon his extensive knowledge of both classical and contemporary art practice to demystify successful draftsmanship and uphold objective standards in representational drawing.

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