In the past ten years, the scope of the digital humanities has broadened to include the visual world: "distant reading" became "distant viewing". This visual turn has not only facilitated the digital transformation of traditional disciplines like art history but has also introduced a new set of media-technological questions into the digital humanities discourse: questions concerning the nature of digital images, and the modalities of machine seeing. This course serves as an introduction to the emerging discipline of "digital visual studies" that investigates these questions. Participants will acquire skills in the analysis and critique of digital visual culture and learn to use contemporary digital tools to explore the visual world.
4
UnitsOptional
Grading1, 2, 3
PasstimeUpper division only
Level LimitLetters and science
College
Peter Sturman
3.5
Volker Welter
3.9
Sylvester Ogbechie
2.4